To set up a tested encoder not in the preset list, learn how you can manually set up your encoder.
Multimedia production software with chroma key filters, advanced audio channel mixing, and local Wi-Fi camera apps for your phone Webcasting software that covers all the basics + multi-camera production Syncs multiple Apple devices with one or more cameras for real-time video capture and edit H.264 and HEV video encoders deliver high-quality ABR video cascades for resolutions up to 4K Stream-ready encoders ENCODERÄelivers high-quality HD video with Haivision Hub, a powerful alternative to RTMP The first list is a subset of these encoders, which have been tested with the product for ease of use and quick setup. The encoders in the following two lists have been tested by Microsoft for live streaming with Microsoft Stream.
I've got a grand plus or minus a few hundred bucks.We recommend you select and set up an encoder well before you begin your live event. Hey Fletcher, sell me a pair of SD condensors for overheads and ac gtr's. Sometime when I try to blend these signals I have phase phunk so often I just use the mic alone. How do you align a DI signal and a mic signal without having too much phase craze? Say a bass di and mic to blend in the DAW. I like the fact that the 57 adds body and the TLM adds top end clarity.
Any sugestions on how to properly place mics in this fasion? I try to get each mic the same distance away from the snare about 3" to 4" to help with phase. On snares lately I've been doing a sm57 on top a Rode NT-2 on bottom and a TLM 103 on the snare shell (under the hats). So on Royers website where they have 3 mics stuck on a gtr cab they arnt just visually lined up? Did they mostly likely start with one mic sounding good then move the others (one at a time) untill they sound right with the first? (see link below) I'll take some time and do some experimenting. Perhaps your are right Fletcher in that it's a very small amount of movement to get in phase. Hey thanks guys, honestly i havn't tried this "slide/listen/tape" method yet but will today.
Also, any rules for putting a 57 top and a LD condenser on the snare shell? Any help would be great. I'm just trying to figure out the "correct" way to place a LD condenser and 57 on a snare top (or anything else) and not be out of phase with each other. That way I know what the mic is saying and not what the positioning is saying. I also do this when testing to see which mic I want to use for a source, put 'em in the same spot and a/b. I also make Shure the diaphram (not end of mic) is as close to being lined up as possible. Is this type of settup not in phase? When i set up my snare I put the 57 where I want it then put the LD Condenser right next to it just almost touching. (ie try your damndest to put two mics in the exact same position) that they would be IN PHASE I have seen this many times on the Royer website (and elsewhere) where engineers line up a 57/R-121/md421 setup on gtr amps etc. I have always thought that if you have 2 mics next to each other with the diaphrams lined up. I find that the condenser adds a nice top end that the 57 doesn't but alone is anemic. I too enjoy doing this 57 and a condenser on the snare top (or snare shell). Recorderman above was talking about a 3 mic set up on a snare. All your mics will be in, relative too each other, as much as you want. If you adjust the balance of your mic's, in you headphones you can extrapolate this principle until you become allergic to phase. Mainly you gotten to hear how you CAN hear effect of "phase". Now if you tape the two mic together at this point put them both in polarity together you now have a two mic set-up that can be held on one sm57 mic clip and will give you the top two snare mics, of a three mic set-up (two top/one bottom) that is somewhat common in some circles. Hear the "phase-y ness?" Slide the 451 Along the sm57 until you get the most out of phase sound you can (your voice gets thin and loses volume). In a normal voice talk into the both of them, alternately muting and adjusting levels until they're of equal loudness. Hold them together so that they face the same way and the capsules are about even. (or a 57 and any other small diaphram /pencil style condenser).